Dr. Gabbi Lukacs, an associate professor of anthropology at the University of Pittsburgh, will be giving a talk on February 21 in Oakland called "Counter-Culture in Japan".. This is one of several events this spring sponsored by Mitsubishi Electric Power Products, Inc., which has an office in Warrendale. An overview from the Japan-American Society of Pennsylvania:
Dr. Gabbi Lukacs, Associate Professor of Anthropology, University of Pittsburgh, will examine new labor subjectivities such as the net idols that become famous by posting their photos and diaries on the web, cell phone novelists whose novels have recently come to dominate literary bestseller lists, and entrepreneurial homemakers who conjure wealth from day trading. The subjects of mass culture theory, digital media theory, work and play, consumer culture, and Japan in the twentieth century are also topics for discussion. There will be a cash bar and light refreshments.The talk is from 5:30 to 7:00 at the Pittsburgh Athletic Association on Fifth Ave (map).
Dr. Lukacs gave a lecture in October 2012 at Pitt titled "The Labor of Cute: Net Idols, Cute Culture, and the Social Factory in Contemporary Japan", a lecture that had been going around for about a year at that point. In 2010 Dr. Lukacs presented on similar topics, "The Net Idols: Cute Culture, Social Factory, and Neoliberal Governmentality in New Millennial Japan" at Pitt:
In this presentation, I analyze a recent Japanese phenomenon, what is called the net idols—young women who produce their own websites featuring personal photos and diaries. Many net idols earn an income from maintaining these websites, thus I understand them as new labor subjectivities that have evolved in late 1990s Japan in response to the deregulation of labor markets and unprecedented developments in new information technologies. Mastering cute looks and embracing cute behavior are key to the popularity of net idols. While the culture of cute has drawn considerable scholarly attention in recent years, it has been dominantly understood as a form of resistance to work-oriented adult society, a retreat to childhood—a space within which young women find redemption indulging in infantile play and passive behavior. By contrast, I draw on the Italian autonomists’ theory of the social factory to analyze the net idols’ production of cute culture as symptomatic of the ways in which the meanings, forms, and conditions of work have changed as intangible commodities (such as cute) have become the new center of economic gravity in the wake of growing economic volatility. Equally important, by analyzing the net idol phenomenon I also aim to theorize an emerging form of rationality (the foundational logic of neoliberal governmentality) within which individuals accept and even celebrate the end of job security as a marker of a shift from the postwar order of “working to find pleasure” to the neoliberal imperative to “find pleasure in work.”
