via I G The University of Pittsburgh's Asian Studies Center will host Dr. Keisuke Yamada and "Ecologies of Instrumentality: Global Capitalism and Ethical Artisanship in Japan" on September 8.
How do we propose the most ethical yet legitimate ways for centuries-long traditions, heritages, and artisanship that require a great deal of nonhuman exploitation to continue existing in the future? This presentation tackles the problem of ontological struggles between the human and the nonhuman, the animate and the inanimate, the living and the dead, with a study of the practice, politics, and ethics that surround the making of a traditional Japanese musical instrument called the shamisen. All the materials that make up the shamisen are imported from other countries. The material condition and existential possibility of the shamisen have perpetually been shaped by the workings of global capitalism and biopolitical power across time. Revealing the darker side of the development of Japanese traditional music as part of the global history of extractive capitalism, it calls for a new ethical stance in order to recraft modes of living with both various nonhuman species and traditional cultural artifacts in an age of ecological crisis.The hybrid event begins at 4:30 pm in 207 Lawrence Hall or online, and registration is required.