The band's style of music is influenced by the genres of experimental rock and shoegazing, as well as by both the classical and contemporary classical periods of classical music, and also by noise and minimalism. Mono's sound is characterised by the lead and rhythm guitars of Goto and Yoda respectively, both of whom make extensive use of reverb, distortion and delay effects. The band's live performances are noted for their intensity, both in the playing and in the dynamics.Here's something from their latest studio album:
* The Chinese Conversation Club meets two Thursday evenings a month in the Oakland branch's Large Print Room. The next meeting is September 6, 6:00 - 7:00 pm.
* Japanese For Beginners meets two Mondays a month in the Oakland branch's Classroom A. The next meeting is September 10, 6:30 - 7:30 pm.
* Japanese II meets two Tuesdays a month in the Oakland branch's Classroom A, and "is geared toward those who already have a basic understanding of Japanese and are interested in increasing proficiency. Ability to read and write hiragana is required to take this class." The next meeting is September 11, 6:30 - 7:30 pm.
* The Japanese Conversation Club meets two Tuesdays a month in the Oakland branch's Large Print Room. This is geared for high-intermediate to advanced learners. The next meeting is September 4, 6:00 - 7:00 pm.
* Korean for Beginners meets each Saturday afternoon in the Oakland branch's Large Print Room. The focus is on learning to read and write the Korean script, and mastering some basic vocabulary and phrases. The next meeting is September 8, 1:00 - 2:30 pm.
* Korean II meets each Saturday in the Oakland branch's Large Print Room. The next meeting is September 8 from 11:00 - 12:30 pm.
* Korean Study Group for Intermediates meets on Saturdays at the Squirrel Hill branch. The next meeting is September 8 from 11:00 - 12:30 pm.
Many critics praised the style of the movie as well as the acting of the inexperienced Kim Eul-boon who at 78, had not only never acted before, but never even seen a film.
チームに合流しましたニコニコTakahashi was claimed off waivers from the Los Angeles Angels on Friday. Here's another picture of Takahashi in his new uniform, via his blog:
早速、投げましたよグッド！
1イニングを投げて無失点に抑えました。
"1987-1994: The Glory Years," "1995-1996: Injury," "1997-2002: Post-Injury," "2003-2006: Further decline," "To the USA."Nonetheless he was treated with respect by the Pirates at his retirement during spring training in 2008:
Kuwata, a baseball superstar in his native Japan, formally announced his retirement after the Pirates' 7-4 victory against the Detroit Tigers this afternoon, a game in which manager John Russell asked him to pitch one final time as a show of respect. But he declined.
"He told us he's pitched thousands of innings, that we should use that time to look at pitchers for our future," Russell said. "He's a class act, a true professional and a great human being. We wish him the best of luck in everything he does."
The ritual at the mound was meant to symbolize a farewell to the game. And, although Kuwata's impact in Pittsburgh was negligible, some in the assembled Japanese media were saying that this farewell would top their nation's news for the day.
"He's a legend in our country," said reporter Yasuko Yanagita, who broke the story of Kuwata's retirement for the Hochi Shimbun sports daily. "Everyone will want to know about this, and everyone will be surprised."
Hot Pepper captures the malaise of young low-level office workers in three quirky scenes set in an office break room. In the sharp and visually vibrant world of write-director Toshiki Okada, twenty-something co-workers wrestle with issues as mundane as selecting a restaurant for lunch or the temperature of the office. Okada mixes dark humor, absurdity, and a disctint musical backdrop by John Coltrane, Stereolab and John Cage to capture the empty and ungrounded nature of Generation Y. Characterized by a seemingly insubstantial narrative accompanied by exaggerated gestures-turned-choreography, the groundbreaking works of chelfitsch (Five Days in March and Enjoy) have drawn global recognition, making them a leading theater company in Japan and abroad. In Japanese with English supertitles.Very good news, if a couple years late---the play opened in North America in 2009 in New York, Columbus, Minneapolis, Seattle, Vancouver, and St. Louis---because this type of thing would always skip right over Pittsburgh. The theater is at 5941 Penn Avenue (map), accessible (for now) by city bus 71B.
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.And an excerpt of the Wikipedia summary of controversies:
The film was labeled "crude and tasteless" by members of Japanese parliament and other government officials after the film was screened for them before its general release. The film created a debate over government action on media violence. At one point, director Kinji Fukasaku allegedly gave a press statement directed at the age group of the film's characters, saying "you can sneak in, and I encourage you to do so." Many conservative politicians used the film to blame popular culture for a youth crime wave. Ilya Garger of TIME magazine said that Battle Royale received "free publicity" and received "box-office success usually reserved for cartoons and TV-drama spin-offs." The Japanese reaction to the film in the early 2000s has been compared to the British outrage over A Clockwork Orange in the early 1970s. Critics note the relation of Battle Royale to the increasingly extreme trend in Asian cinema and its similarity to reality television.The movie, released in 2000, didn't make it to Pittsburgh until this past April. It will run August 17th through 20th at 9:15 pm, and Tuesday the 21st at 7:30 pm. Tickets are $7.
For eleven years, the film was never officially released in the United States or Canada, except for screenings at various film festivals. The film was screened to a test audience in the U.S. during the early 2000s, not long after the Columbine High School massacre, resulting in a negative reaction to the film's content.
