
The 2001 Studio Ghibli film Spirited Away (千と千尋の神隠し) will play in select theaters as part of its 15th anniversary, and it will appear in several places in western Pennsylvania on December 4 and 5.
Japan boasts a rich history of tattooing that flourished most visibly in the Tokugawa period (1603-1867), when generations of horishi tattoo artists hand-carved intricate full-body tattoos of magnificent dragons, intrepid carp, and courageous heroes upon the flesh of the country’s working classes. In spite of this time-honored tradition, having a tattoo in Japan can prevent one from entering onsen (hot springs), public baths, pools, beaches, and gyms, and can even hinder employment and marriage prospects. Also, tattoo artists are technically punishable under Japanese law for “practicing medicine without a license.” Tattoos have earned increasing acceptance in the U.S. and Europe, with some polls estimating that 1 in 5 American adults have been inked, and similar numbers showing up in the U.K. Why then, in the face of the globalization of tattoo culture, has the stigma against tattooing persisted in Japan, and where did it originate? With increasing numbers of young people in Japan choosing to go under the needle as a fashion statement, how do they cope with the stigma and negotiate the meanings of their body modifications? As the Tokyo 2020 Olympics approach, the subject of tattooing is increasingly coming into Japan’s public spotlight. This talk uses the example of tattooing and other forms of body modification to examine the ways in which systems of “body power” – cultural, social, and institutional frameworks of control over the body – in Japan are both reinforced and challenged by global flows of “deviant decorative body modification,” such as tattooing, piercing, and cosmetic surgery.The talk will be held from 4:00 pm in 4130 Posvar Hall (map) and is free and open to the public.
John M. Skutlin is an alumnus of the University of Pittsburgh's East Asian Languages & Literatures department and a current PhD candidate in Japanese Studies at the Chinese University of Hong Kong. Having previously researched and written about goth subculture in Japan, his ongoing research project focuses on global flows of body modification in Japan from a cultural anthropological perspective.
* “Designing MOOCs in a Chinese Social Network Environment” by IISE Visiting Scholar, Dr. Xiufang MaThe symposium runs from 12:00 to 1:30 pm in 5604 Posvar Hall (map) and is free and open to the public.
* “A Reverse Mentoring Program in Elementary Levels during the Practicum in Monteria, Colombia” by IISE Visiting Scholar, Luis Mario Viaña Patrón
* “A Study on Cultivating Pragmatic Competence of Chinese EFL Learners” by IISE Visiting Scholar, Xiaoyan Xu
Rarely seen outside of Japan, Ocean Waves is a subtle, poignant and wonderfully detailed story of adolescence and teenage isolation. Taku and his best friend Yutaka are headed back to school for what looks like another uneventful year. But they soon find their friendship tested by the arrival of Rikako, a beautiful new transfer student from Tokyo whose attitude vacillates wildly from flirty and flippant to melancholic. When Taku joins Rikako on a trip to Tokyo, the school erupts with rumors, and the three friends are forced to come to terms with their changing relationships.Ticket information and showtimes have not yet been announced. The single-screen theater is located at 4115 Butler Street in Lawrenceville (map).
Ocean Waves was the first Studio Ghibli film directed by someone other than studio founders Hayao Miyazaki and Isao Takahata, as director Tomomi Mochizuki led a talented staff of younger employees in an adaptation of Saeko Himuro’s best-selling novel. Full of shots bathed in a palette of pleasingly soft pastel colors and rich in the unexpected visual details typical of Studio Ghibli’s most revered works, Ocean Waves is an accomplished teenage drama and a true discovery.
For our last event in JSA's Culture Month, we will showcase Ikebana, the art of Japanese flower arrangement, in Doherty Hall 2302. More than just putting flowers in a pot, this art is a disciplined, intricate practice that translates the beauty one might see on a painting to real life. You will also be making your very own display to keep! If you are taking a Japanese course in CMU, then extra credit will be given for attendance!The event runs from 5:00 to 6:30 pm in Doherty Hall 2032 (map).
Ikebana (生け花) is the Japanese art of flower arrangement, and a disciplined art form in which nature and humanity are brought together. Ikebana often emphasizes other areas of the plant, such as its stems and leaves, and draws emphasis toward shape, line, and form. Though ikebana is a creative expression, it has certain rules governing its form. The artist's intention behind each arrangement is shown through a piece's color combinations, natural shapes, graceful lines, and the usually implied meaning of the arrangement.