Tuesday, February 21, 2017

Stephan Haggard and "Hard Target: Dealing with North Korea" at Pitt, March 14.



Advance notice for a talk on North Korea at the University of Pittsburgh's Asian Studies Center with Dr. Stephan Haggard of UC San Diego.
North Korea poses a number of challenges to the new Trump administration, from its nuclear and missile programs to the possibility of political instability. Diplomacy with North Korea is further complicated by pressing humanitarian and human rights questions and the complexities of dealing with China as a partner in negotiations with North Korea. How has the US dealt with North Korea in the past and is there a different way forward?
The talk will be held from 12:00 pm in 4130 Posvar Hall (map) and is free and open to the public.

"The Trauma of ‘Liberation:' National Unity and Memory on the Ethnic Margins of Maoist China" at CMU, February 24.


Via DissertationReviews.

Dr. Benno Weiner, an Assistant Professor in the Department of History at Carnegie Mellon University, will present "The Trauma of ‘Liberation:' National Unity and Memory on the Ethnic Margins of Maoist China" as February's installment of the Socialist Studies Seminar. The talk runs from 3:00 to 5:00 pm in Baker Hall 246-A (map).

2016 Park Chan-wook film The Handmaiden (아가씨) at Erie Art Museum, March 8.



The 2016 Korean movie The Handmaiden (아가씨), directed by Park Chan-wook, will play at the Erie Art Museum (map) on March 8. An October four-star review on RogerEbert.com provides a summary:
Park Chan-Wook’s “The Handmaiden” is a love story, revenge thriller and puzzle film set in Japanese-occupied Korea in the 1930s. It is voluptuously beautiful, frankly sexual, occasionally perverse and horrifically violent. At times its very existence feels inexplicable. And yet all of its disparate pieces are assembled with such care, and the characters written and acted with such psychological acuity, that you rarely feel as if the writer-director is rubbing the audience’s nose in excess of one kind or another. This is a film made by an artist at the peak of his powers: Park, a South Korean director who started out as a critic, has many great or near-great genre films, including “Oldboy,” “Sympathy for Mr. Vengeance,” “Lady Vengeance” and “Thirst,” but this one is so intricate yet light-footed that it feels like the summation of his career to date.
Doors open at 6:00 pm and the movie starts at 7:00. Tickets are $5.

"Interpretation and Processing of Japanese Reflexives" at Pitt, February 24.

The University of Pittsburgh's Department of Linguistics will host PhD candidate Noriyasu Li and his colloquium "Interpretation and Processing of Japanese Reflexives" on February 24.
My research investigates how native speakers (L1) of Japanese link reflexives to their antecedents through experimental research on specific sets of anaphoric pronouns – zibun, zibun-zisin, kare-zisin, and kanozyo-zisin. The research also examines how L2 learners acquire these properties in Japanese. Although it is well known that co-reference with these reflexives can be ambiguous (Aikawa, 2002), I analyze how L1 Japanese speakers successfully construct anaphoric relations among determiner phrases and resolve ambiguity through an analysis of case and argument structure of the verb. The interaction between case and the predicate in reflexive-antecedent binding, to my knowledge, has not been thoroughly addressed in the literature to date, and this point is the innovative focus of my research. Further, I expand the scope of reflexives to all reflexive forms in Japanese, and cross-linguistically analyze acquisition between typologically related (e.g., Korean) and unrelated (e.g., Chinese) languages.
The talk begins at 3:00 pm in 332 Cathedral of Learning (map) and is free and open to the public.

Sunday, February 19, 2017

Teaching English in South Korea information session and panel, February 21 at Pitt.



On February 21 from 6:30 pm, the University of Pittsburgh's Asian Studies Center will host an information session and panel about opportunities to teach English in South Korea. The session will be held in 4130 Posvar Hall (map).

Documentary The Eagle Huntress at newly-opened Tull Family Theater, through February 23.



The Eagle Huntress, the 2016 documentary about a 13-year-old girl training to be an eagle hunter in Mongolia, is playing at the recently-opened Tull Family Theater in Sewickley through February 23. A brief synopsis from the distributor:
THE EAGLE HUNTRESS follows Aisholpan, a 13-year-old girl, as she trains to become the first female in twelve generations of her Kazakh family to become an eagle hunter, and rises to the pinnacle of a tradition that has been handed down from father to son for centuries.

Set against the breathtaking expanse of the Mongolian steppe, THE EAGLE HUNTRESS features some of the most awe-inspiring cinematography ever captured in a documentary, giving this intimate tale of a young girl's quest the dramatic force of an epic narrative film.

While there are many old Kazakh eagle hunters who vehemently reject the idea of any female taking part in their ancient tradition, Aisholpan's father Nurgaiv believes that a girl can do anything a boy can, as long as she's determined.
Tickets and showtimes are available from the theater's website. The Tull Family Theater is located at 418 Walnut St. in Sewickley (map), about 15 miles northwest of Pittsburgh.

Friday, February 17, 2017

Traditional Chinese music group Purple Bamboo at Carnegie Library in Oakland, February 26.



Purple Bamboo, a group of traditional Chinese musicians, will perform at the Carnegie Library in Oakland on February 26.
Founded in 2015, Purple Bamboo performs traditional and contemporary Chinese music. Purple Bamboo has played at a variety of local venues, and is comprised of Ai-Lin Chen on the guzhen (a plucked string instrument), Kai Liu on the dizi (a transverse flute), and Mimi Jong on the erhu (a two-stringed spike fiddle).

The troupe has recently been joined by world-class pipa (a four-stringed lute) virtuoso Jin Yang, a graduate from the prestigious Central Conservatory in Beijing and former professor at the Wuhuan Music Convervatory. Please join us in welcoming them!
The event runs from 2:00 to 3:00 pm in the first floor's Quiet Reading Room and is free and open to the public. The library is located at 4400 Forbes Ave. in Oakland (map) and is accessible by buses 28X, 54, 61C, 61D, 67, 69, 71A, 71B, 71C, 71D, and 93.

Hae Yeon Choo book talk "Decentering Citizenship: Gender, Labor, and Migrant Rights in South Korea" at Pitt, February 22.



A reminder for a February 22 book talk in the University of Pittsburgh's Department of Sociology by Dr. Hae Yeon Choo of the University of Toronto.
Decentering Citizenship follows three groups of Filipina migrants' struggles to belong in South Korea: factory workers claiming rights as workers, wives of South Korean men claiming rights as mothers, and hostesses at American military clubs who are excluded from claims—unless they claim to be victims of trafficking. Moving beyond laws and policies, Hae Yeon Choo examines how rights are enacted, translated, and challenged in daily life and ultimately interrogates the concept of citizenship. Choo reveals citizenship as a language of social and personal transformation within the pursuit of dignity, security, and mobility. Her vivid ethnography of both migrants and their South Korean advocates illuminates how social inequalities of gender, race, class, and nation operate in defining citizenship. Decentering Citizenship argues that citizenship emerges from negotiations about rights and belonging between South Koreans and migrants. As the promise of equal rights and full membership in a polity erodes in the face of global inequalities, this decentering illuminates important contestation at the margins of citizenship.
The talk runs from 12:00 to 1:30 pm in 2432 Posvar Hall (map) and is free and open to the public.

Wednesday, February 15, 2017

Chinese movie Duckweed (乘风破浪) continues in Pittsburgh through February 22.



The 2017 Chinese movie Duckweed (乘风破浪), which opened in Pittsburgh on February 10, will continue at the AMC Loews Waterfront theater through February 22. A Variety review summarizes:
The protagonist, Lang (Deng Chao), is a car racer living in 2022 Shanghai. Upon winning a national rally, he publicly and sarcastically “thanks” his dad, Zheng (Eddie Peng), for his rough upbringing and lack of encouragement. He offers Zheng a ride to show off his driving, but crashes the vehicle.

While hovering between life and death, Lang time-slips to 1998, and lands in an alley where he witnesses a young Zheng’s righteous but foolhardy actions. Together with dimwit Liu Yi (race-car driver Zack Gao) and computer nerd Little Ma (Dong Zijian, “Mountains May Depart”) they pose like younger selves of the aged vigilantes in Guan Hu’s “Mr Six,” upholding honor codes borrowed from ’80s Hong Kong gangster films.
The movie opened in China on January 28. Tickets and showtimes are available via Fandango. The theater is located at 300 West Waterfront Dr. in the Waterfront shopping complex in Homestead (map), across the Monongahela River from Greenfield, Squirrel Hill, and the rest of Pittsburgh.

Tuesday, February 14, 2017

"Visualizing Chinese Media Ideologies: Biao Qing Bao and its Development in Chinese Internet Culture" at Pitt, February 17.



The University of Pittsburgh's Department of East Asian Languages and Literatures will host MA Candidate Yixin Liang and her colloquium "Visualizing Chinese Media Ideologies: Biao Qing Bao and its Development in Chinese Internet Culture" on February 17.
My thesis addresses Biao Qing Bao, a new type of internet meme consisting of an image and a text caption, and development on the Chinese internet. In this presentation, I will use the concept of media ideology proposed by Illeana Gershon to explain how people's conception of mediated codes of communication shapes their practice and usage of technology and media. In this sense, Biao Qing Bao, as one of the semiotic codes created and circulated on the internet, is not only a type of visual entertainment that references Chinese pop culture, but also an indicator of fluid media ideologies and power dynamics in Chinese society. I will focus on two significant moments in the development of Biao Qing Bao: the internet censorship launched by the CHinese government and the Facebook campaign in 2016 to discuss how Biao Qing Bao was transformed from a visual weapon to confront hegemony to an icon of national identity.
The talk begins at 12:00 in room 4130 Posvar Hall (map) and is free and open to the public.

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