Paul Tran is the author of the debut poetry collection, All the Flowers Kneeling, published by Penguin. Their work appears in The New York Times, The New Yorker, Best American Poetry, and elsewhere. They earned their BA in History from Brown University and MFA in Poetry from Washington University in St. Louis. Winner of the Discovery/Boston Review Poetry Prize, as well as fellowships from the Poetry Foundation, Stanford University, and the National Endowment for the Arts, Paul is an Assistant Professor of English and Asian American Studies at the University of Wisconsin-Madison.Events on the 28th include:
All events are open to members of the Pitt community
- 12pm Lunch and Q&A in CL 501
- 2pm Craft Workshop in CL B50
- 6pm Reading and book signing CL B50
Please reach out to Diana K Nguyen with any questions at dianakhoi@pitt.edu
12th century China, during the Song Dynasty, set against a brewing rebellion by the Jin people against the Imperial Court. Two hours before a crucial diplomatic meeting between the Song Prime Minister Qin Hui and a high level Jin delegation, the Jin Ambassador is murdered. An important letter destined for the Emperor is stolen from him. As the search for the letter unfolds, alliances are formed, secrets are revealed, and no one can stop the truth that is destined to leave its mark in history.It plays locally at the AMC Loews Waterfront, and tickets are available online.
Set over an eight-year time span, Return to Seoul follows Freddie’s journey back to her place of birth — a country to which she has never been and of which she does not know the language. Freddie, played by first-time actor Park Ji-Min, has never felt at home or comfortable in any setting, which may be why she ventures back to Seoul. Over the course of the eight years, Seoul, the city, and Freddie, its citizen, evolve with each new encounter. A story driven through change, Return to Seoul invites audiences to look closely at the experience of adoption, integration, and what it means to be “from” somewhere.The evening also includes:
Q&A and Discussion with director Davy Chau, writer Laure Badufle, & Katie Ozbek, Director of Korean American Adoptee Adoptive NetworkThe festival opens on March 16 and runs through April 2, and has several films from Asia or with an Asian connection.
Moderated by Andy Lee, PhD Candidate in Film and Media Studies, University of Pittsburgh
Special Performance by K-Pop Dance Club, CMU
And a reception catered by The Boonseek and Sumi's Cakery.
Cornelius Boots presents the living tradition of shakuhachi — the rare bamboo flute from ancient Japanese Buddhism. Meditation, music and nature form the roots of this earthy and ephemeral performing art. Natural bore (jinashi) and larger, low-pitched flutes (bass or alto) flutes are featured on this program: they provide a strong connection – for both the player and the listener – to a deeper, almost primeval past: echoes from the ancient days of the Earth.The concert is $20 for general admission tickets, $10 for University of Pittsburgh faculty and staff, and free for University of Pittsburgh students. Heinz Chapel is located in Oakland, across the lawn from the Cathedral of Learning (map).
At the height of its power between the 9th and 15th centuries, Angkor, the capital of the Khmer empire, was a resplendent city, considered the most extensive urban complex of the pre-industrial world. But by the late 16th century, the empire was in its death throes. The people of Angkor left not a single word explaining their kingdom’s collapse.
Angkor: The Lost Empire of Cambodia is visually stunning—an adventure where science, mystery, and ancient civilizations intersect, on a scale meant for the Giant Screen. Unravel Angkor’s ancient mysteries with archeologists and scientists who conceive ingenious methods, employ cutting edge technology, and even enlist the help of some unexpected furry friends. Come along this giant screen adventure to unveil the mysteries behind this lost jewel of Cambodia!
In A Letter to A’ma, Taiwanese art teacher/filmmaker Hui-Ling returns to her childhood home to mourn the passing of her grandmother. As she pieces together the fragmented memories of her youth, she finds herself coming face-to-face with the problematic issue of her country’s fractured history. Through a student art project guided by this teacher that has lasted for over a decade, a representational portrait of the island’s collective memory begins to emerge, initiating a process in which Taiwan, an island-nation forgotten by the world and in the midst of forgetting itself after centuries of colonization and decades of dictatorship, can now remember its past and re-envision its postcolonial identity through art.
Director Hui-Ling Chen will attend for a post-screening Q&A!
Demon Slayer: Kimetsu no Yaiba -To the Swordsmith Village-, distributed by Aniplex of America and Crunchyroll, is a feature-length cut of Episodes 10 and 11 of the Entertainment District Arc and the extended Episode 1 of the upcoming Swordsmith Village Arc in 4K with remastered audio.And a synopsis, from the distributor:
After his family is viciously murdered, a kind-hearted boy named Tanjiro Kamado resolves to become a Demon Slayer in hopes of turning his younger sister Nezuko back into a human. Together with his comrades, Zenitsu and Inosuke, along with one of the top-ranking members of the Demon Slayer Corps, Tengen Uzui, Tanjiro embarks on a mission within the Entertainment District, where they encounter the formidable, high-ranking demons, Daki and Gyutaro.It is scheduled to play (so far) from March 3 through 9 at the AMC Loews Waterfront, Waterworks Cinema, and the Cinemark theaters in McCandless, Monaca, Monroeville, and Robinson. Tickets are available online.
In How to Read Now, Elaine Castillo presents the “unexpected reader” as the reader who “is not remotely imagined — maybe not even imaginable” by writers and publishers. As Asian American Pacific Islander (AAPI) readers and writers, how do we enter into a place that has historically excluded our stories? How do we create a referential world that holds in tension our differences?
The first class will be dedicated to reading to write better while contending with what may be keeping us from the page. We will work together to learn how to be porous and available to finding inspiration.
Th
e second class will be about translation — translation across language, translation across form. This class will coincide with artist (and co-founder of JADED) Anny Chen’s show at Bunker Projects, where we will write alongside her work. The class will culminate into a zine launch and a reading (date and location TBD).
March 13th - Atithi Studios
March 20th - Bunker Projects
The class is only open to AAPI-identifyin
g writers and will be capped at 12-15 students. Priority will go to students who can attend both classes. *Class
es will be masked and vaxxed.* The Instructor:
Elina Zhang is an Asian-American writer and organizer based in Pittsburgh, PA, where she received a Creative Nonfiction Writing MFA from the University of Pittsburgh. She was a 2023 Roots. Words. Wounds Fellow and a 2022 Periplus Fellow. She is also a member of the JADED Asian American artists collective.
