Billboards have gone up recently for the first annual Pittsburgh Chinese Cultural Festival, to be held in Oakland on September 19. A June letter from Dequan Jiao soliciting donors and participants provides a brief overview:It is my great pleasure to share some important information about our first ever Pittsburgh Chinese Cultural Festival. The inaugural 2015 Pittsburgh Chinese Cultural Festival will be held on September 19th, in the heart of Oakland on Bigelow Blvd between Forbes Ave and Fifth Ave. This festival provides a chance for the Chinese community to showcase themselves, network and build new connections, positively present Chinese culture, and allow the Chinese community to make an affirmative contribution to the richness of Pittsburgh and the United States as a whole. Delicious Chinese and Asian foods, fantastic stage performance, all kinds of Chinese culture exhibitions, and fun kids zone, All in one day (09/19 Sat.) and one place (Bigelow Blvd between Forbes Ave and Fifth Ave) for you and your family!The festival is scheduled from 11:00 to 6:00 pm on Bigelow Blvd., in the William Pitt Union, and in the Cathedral of Learning. A few more details available on the official site, with perhaps more to follow.
We would like to invite you to a talk on the history of the Japanese Nationality Room (JNR) at the University of Pittsburgh, followed by an informal gathering at the Croghan-Schenley Ball Room, Cathedral of Learning, Room156.
Time: 1:30-2:30 on Sunday, September 6
Place: Japanese Room, Cathedral of Learning Room 317
Speakers: Mr. Arimoto, Dr. Maeshiro, and Dr. Motoyama
Leading the talk will be three longstanding members of the JNR Committee, each with more than 20 years of involvement from the room's founding until the present day: Woodworker Mr. Arimoto and the two Emeritus Members of the JNR Committee, Dr. Maeshiro and Dr. Motoyama.
This storyboard-come-to-life animation tells a contemporary tale of a pop star who is the target of a stalker. Her life becomes a nightmare of multiple personalities and blurred media realities. She even has a home page that tracks her every move.Showtimes and ticket information will follow on the theater's website.
This is a knowing, adult view of what seems to be a young-teenage paradise, a cool world of ponytails, backpacks, laptops and videocams. These are the adulatory fans of pop star Mima, lead singer in a girl group, who announces she's giving it all up to go into acting.
"The pop idol image is suffocating me," she tells her mom in all seriousness.
The idea of a nighttime open bazaar was inspired by the night market scene in Asia. Mr. Rieger had his first taste of it in Thailand. “An entire street was transformed into a wonderful, wonderful night market where you could find jewelry, art, food,” he said. “The next morning it was all gone, and it went back to being a regular street.”NextGen:Pgh also plans a Chinese New Year parade through Squirrel Hill in February 2016. The Night Market will be held from 6:00 pm to 10:00 pm, on a strip of Murray Ave. between Forbes Ave. and Bartlett St. that will be closed to vehicular traffic.
Minah Lee, the Architect-of-Record and designer of the room, said she and the other designers wanted the construction of the room to revolve around Korean pride, or “jajonsim.” She, Myounghee Song, Kim Bong-ryol, and Sang C. Park, the other designers of the facility, worked through the summer on the room, which is scheduled to open on Nov. 15.And as Pennsylvasia wrote in 2012:
The room will feature an 82-inch interactive Samsung LCD to display lessons. The inclusion of such technology is the first for any of the Nationality Rooms.
The decision to include technology was made to commemorate South Korea and its role in the electronic industry.
“We are so proud to have the LCD in the room,” Park said, adding that chalkboards and the like could be very messy and time consuming.
That duality is a common theme in Korean national brand marketing, and this room will reflect both a traditional image of Korea (at least a traditional image of old Korean universities) and a modern one, given South Korea is an industry-leader in electronics (like the touchscreen monitors made by Samsung and LG, for instance).Fundraising began in 2008, one year after room 304 on the third floor of the Cathedral was earmarked for the Korean room, and construction began in June.
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.And an excerpt of the Wikipedia summary of controversies:
The film was labeled "crude and tasteless" by members of Japanese parliament and other government officials after the film was screened for them before its general release. The film created a debate over government action on media violence. At one point, director Kinji Fukasaku allegedly gave a press statement directed at the age group of the film's characters, saying "you can sneak in, and I encourage you to do so." Many conservative politicians used the film to blame popular culture for a youth crime wave. Ilya Garger of TIME magazine said that Battle Royale received "free publicity" and received "box-office success usually reserved for cartoons and TV-drama spin-offs." The Japanese reaction to the film in the early 2000s has been compared to the British outrage over A Clockwork Orange in the early 1970s. Critics note the relation of Battle Royale to the increasingly extreme trend in Asian cinema and its similarity to reality television.The movie, released in 2000, didn't make it to Pittsburgh until April 2012. Showtimes and ticket information are available on the Row House Cinema website. The theater is located at 4115 Butler St. (map).
For eleven years, the film was never officially released in the United States or Canada, except for screenings at various film festivals. The film was screened to a test audience in the U.S. during the early 2000s, not long after the Columbine High School massacre, resulting in a negative reaction to the film's content.
There's no better way to dive into [filmmaker Ming-liang] Tsai's world than with his stunning debut, Rebels of the Neon God (1992), which finally is getting its first theatrical release in America.Showtimes have not yet been released. The Harris Theater is located at 809 Liberty Ave. in the downtown Pittsburgh Cultural District (map).
A breathtaking, disturbing look at urban angst and the emptiness of youth culture, the film introduces us to a character who haunts so many of Tsai's Taipei films: Hsiao-kang (played by the director's longtime collaborator, Lee Kang-sheng), a somber, surly, silent, often petulant youth who doesn't seem to feel at ease anywhere he goes.
When we first see him, Hsiao-kang seems an earnest, if frustrated, college student who works hard into the night. He shares a tidy flat with his taxi-driver father, who makes no attempt to understand - or even like - the youth. His overprotective mother seems never to tire of consulting augers and priests about her son's future.
Appearances can be deceptive. Hsiao-kang doesn't think he fits in at school, and early in the film, he drops out, pocketing a large tuition refund without telling his parents. He spends hours wandering the streets on foot or on his moped and seems incapable or unwilling to connect with others.
