The Carnegie Museum of Art in Oakland (map) will run the exhibit "'Japan is the Key…': Collecting Prints and Ivories, 1900–1920" from March 30 through July 21 in Gallery One. The exhibition, to borrow heavily from the CMoA website,
presents highlights from Carnegie Museum of Art’s significant collection of iconic Japanese woodblock prints (ukiyo-e) in an entirely new way, uniting them with Carnegie Museum of Natural History’s holdings of exquisite Japanese carved ivories (okimono). These collections were formed in the early years of the 20th century, motivated by European and North American acceptance of Japan as an emerging modern power, and the aesthetic appeal of Japanese art to artists and collectors. Japan is the Key… tells the story of two very different men who promoted Carnegie Institute’s early interest in Japanese art: poet and critic Sadakichi Hartmann, who masterminded the Department of Fine Arts’ controversial exhibitions of Japanese prints in the first decade of the 20th century; and ketchup magnate H. J. Heinz, who acquired ivories on his world-wide travels on behalf of local industry and religious organizations. This exhibition offers a rare view of this period of cultural interchange through the lens of the personalities that shaped it.